July 21st, los feliz garden
(via Single Point Perspective: Regina Bogat’s Earthly Divination)
Regina Bogat: Works 1967-1977 at Zürcher Gallery marks another milestone in the rediscovery of an artist who has long been hidden in plain sight. Since her start in the 1950s, in a milieu that included abstract artists like Mark Rothko, Ad Reinhardt and her late husband, Al Jensen, Bogat has always played the subversive.
"I’ve only spent ten percent of my energies on writing. The other ninety went to keeping my head above water."
The Incredible Award Winning Pencil of Adonna Khare
Adonna has been recognized by The Los Angeles Times, U-Press Telegram, and Edward Goldman on NPR
B.A. in Art from California State University Long Beach
M.F.A in Art from CSULB
2007 Award for Distinguished Acheivement in Creative Activity
Permanent collection of the Long Beach Museum of Art as well as numerous private collections throughout the world. Member of The Drawing Center New York.
In Funeral Art (1971), with a bit of dark humor, Paulo Bruscky announced his own funeral as an artist, transporting a coffin with canvases to a gallery. Local newspapers were amused and called the action an exhibition. At the end, spectators were handed prayer cards and candles. It could not have been a more literal interpretation of Roland Barthes’s The Death of the Author, the seminal text that challenged the notion of authorship, and with which Bruscky was familiar. For him, this newfound and freeing perspective on art became a tool against political violence: he realized that the ephemeral art he was making could be both conceptually and politically liberating.
The Unlearning, by Tatiane Schilaro - Guernica / A Magazine of Art & Politics
- Untitled (1974)
- Untitled (1965)
- Biloxi, Mississippi (1974)
- Untitled (1975)
- Untitled (1965)
- Summer, Mississippi (1970)
- Memphis, Krystal (1984 - 1985)
- Memphis (1972)
- Kyoto (2001)
(Source: egglestontrust.com, via blood-head)